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MESTRE NADIR AFONSO
06 MAR-10 APR
It is curious, however, now understand how the work of Nadir evolved again during the past two decades. In fact, having made a long journey in the field of a growing formal clearance, which could almost understand how the passage of an analytical period to another, more synthetic profile, the work of Nadir was able to learn a new moment of invention Plastic that his recent works are testimony.
I mean the ability to pass such registration abstract set that for some decades to a different, more uncertain classification, we can return to a vertigo-figuration. I call her "vertigo" precisely because it is the deliberate use of something that is of the order of illusion. Indeed, and although we (...)
Bernardo Pinto de Almeida
February 2010
 
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