It is curious, however, now understand how the work of Nadir evolved again during the past two decades. In fact, having made a long journey in the field of a growing formal clearance, which could almost understand how the passage of an analytical period to another, more synthetic profile, the work of Nadir was able to learn a new moment of invention Plastic that his recent works are testimony.
I mean the ability to pass such registration abstract set that for some decades to a different, more uncertain classification, we can return to a vertigo-figuration. I call her "vertigo" precisely because it is the deliberate use of something that is of the order of illusion. Indeed, and although we may be led to think otherwise, since every painting requires a mastery of formal world of illusions, (...)